"The Source as a Resonant Halo. Neoplatonism in _Twelfth Night_"

The article explores the resonance of Italian Renaissance Neoplatonism in Shakespeare's "Twelfth Night," examining themes such as lovesickness, the absent ladder of love, ideal beauty, radiant enchantment, and the senses. Drawing on the dialogues by Bembo, Guazzo, and Romei, the analysis reveals Shakespeare's nuanced adaptation and transformation of Neoplatonic concepts. The lovesickness of characters like Orsino reflects the Renaissance notion of erotic melancholy, yet Shakespeare diverges by emphasizing the social and conversational aspects of healing. The absent ladder, symbolizing the ascent to divine beauty, is notably missing, replaced by courtly debates and gender dynamics. The Neoplatonic idea of ideal beauty as a reflection of internal perfection finds resonance in the play, particularly in the character of Viola, whose radiant presence goes beyond conventional beauty. The senses, especially the eyes and ears, play a crucial role in contemplating beauty, as seen in Viola-Cesario, praised for both visual and aural allure. The article also delves into the Neoplatonic concept of enchantment, highlighting the interplay between the explicable and inexplicable, the visible and the divine. Finally, the essay contrasts Shakespeare's treatment of wonder and recognition, showcasing Viola as a halo of wonder, challenging conventional Neoplatonic categorizations. This comparative analysis illuminates how Shakespeare, while engaging with Italian Renaissance sources, creates a distinct sensorial landscape in "Twelfth Night."