The Source as a Resonant Halo: Italian Neoplatonism in Twelfth Night

The chapter explores the resonance of Italian Renaissance Neoplatonism in Shakespeare’s Twelfth Night, examining themes such as lovesickness, the absent ladder of love, ideal beauty, radiant enchantment, and the senses. Drawing on the dialogues by Pietro Bembo, Stefano Guazzo, and Annibale Romei, the analysis reveals Shakespeare’s nuanced adaptation and transformation of Neoplatonic concepts. The lovesickness of characters like Orsino reflects the Renaissance notion of erotic melancholy, yet Shakespeare diverges by emphasising the social and conversational aspects of healing. The ladder, symbolising the ascent to divine beauty, is notably missing, replaced by courtly debates and gender dynamics. The Neoplatonic idea of ideal beauty as a reflection of internal perfection finds resonance in the play, particularly in the character of Viola, whose radiant presence goes beyond conventional beauty. The senses, especially the eyes and ears, play a crucial role in contemplating beauty, as seen...