The aim of this essay is to analyze a capite ad calcem the figure of Giton in the Satyricon by Petronius, unveiling the connection between some features of the ancient Greco-Roman tragedy and the passages where the ephebe is the main character. Beside the thematic and intertextual examination, a clinical psicho-diagnostic interpretation will be exposed: the manifestations of Giton’s furor will be read in the light of the Histrionic personality disorder (HPD) – DSM-5. The purpose of this writing is to highlight how the tragic references used by Petronius have a cultural mediation function in criticizing costumes and mores.

I coturni ‘bucati’ di Gitone: libido, furor e tempus lugendi

Pietro Vesentin
2021

Abstract

The aim of this essay is to analyze a capite ad calcem the figure of Giton in the Satyricon by Petronius, unveiling the connection between some features of the ancient Greco-Roman tragedy and the passages where the ephebe is the main character. Beside the thematic and intertextual examination, a clinical psicho-diagnostic interpretation will be exposed: the manifestations of Giton’s furor will be read in the light of the Histrionic personality disorder (HPD) – DSM-5. The purpose of this writing is to highlight how the tragic references used by Petronius have a cultural mediation function in criticizing costumes and mores.
2021
Il teatro delle emozioni: l'ira
Teatro delle emozioni - L'ira - 3° Convegno Internazionale. Riflessioni sui testi e sulla drammaturgia antica, medievale, moderna e contemporanea.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11577/3409436
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