The article considers Bret Easton Ellis's Lunar Park (2005) an example of the post-postmodern approach in genre fiction, highlighting the distance from the characteristically postmodern parody. The themes and the form of the horror novel are deployed by Ellis to identify and critique specific aspects of contemporary American society in the context of a canonically structured narration.

CELEBRITY, FATHERHOOD, PARANOIA: THE POST-POSTMODERN GOTHIC OF LUNAR PARK

Malvestio, M
2019

Abstract

The article considers Bret Easton Ellis's Lunar Park (2005) an example of the post-postmodern approach in genre fiction, highlighting the distance from the characteristically postmodern parody. The themes and the form of the horror novel are deployed by Ellis to identify and critique specific aspects of contemporary American society in the context of a canonically structured narration.
2019
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11577/3404262
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